#WINALIGN 11.1 ISSUES MOVIE#
#WINALIGN 11.1 ISSUES SOFTWARE#

13.11 Licensing IssuesĪt the beginning of 2004, the most worrying issues facing potential adopters of the H.264 codec were the licensing of the MPEG-4 part 10 intellectual property rights and how the revenues might be paid to the patent holders of any vital technologies. This is provided as an adaptive technique, which is switched on and off as required. The macroblock coding support for interlaced video is improved to allow pairing between macroblocks in each field, which improves the handling of motion that takes place between fields of the video sequence. H.264 supports an adaptive weighting so a greater proportion of the macroblock value is taken from one frame over the other.

Source: courtesy of Tektronix.Įarlier standards allowed macroblocks to be interpolated from two other frames.

18.16 Patent Pools and Technology Licensesįigure 13-6 Intra macroblocks changing to static macroblocks.

#WINALIGN 11.1 ISSUES MOVIE#

18.10 Background Music in Home Movie Audio Tracks.18.9 Hidden Benefits of Allowing Casual Copying.18.7 What Rights Do We Need to Protect?.18.5 Struggles Between Copyright Owners and Pirates.

18.2 What Is Digital Rights Management?.

Commercial Issues, Digital Rights Management, and Licensing.

17.9 And Now for Something Completely Different.

16.11 Solving Problems by Using Compression Tools.

16.3 Basic Concept of Storing Video in Files.

15.13 Summary: What I’ve Learned About Live Encoding.

14.6 Flattening Out the Bit Rate (Traffic Shaping).

Encoded Output Delivered as a Bit Stream.

13.14 Risks and Benefits of Adopting H.264.

13.13 AVC Alliance and MPEG Industry Forum.

13.12 Ongoing Development of the Standard.

13.10 Issues with GOP Structures, Frames, and Slices.

11.1 Extending the Range of Capabilities.

10.6 Conversion from RGB to Luma and Chroma.

9.3 A Short History of Video Compression.

8.7 Examples of Coded Video to Check Out Online.

#WINALIGN 11.1 ISSUES SOFTWARE#

7.5 Software Encoders Versus Hardware Encoders.

7.4 How the Audio Is Coded and Synchronized.

6.12 Digital Imaging Processes in the Camera.

6.11 Dithering to Improve Image Quality.

4.10 Magnetic Stripe for Sound Recording.

3.3 What Sort of Compression Do You Need?.

2.1 Every Journey Begins with a Single Step.

1.27 Hitting Some Turbulence on the Way.

1.10 This Is Not About Choosing a Particular Platform.

1.9 Video Compression Is Not Exactly New.

1.3 It’s Not Just About Compressing the Video.

Winalign 11.1 issues